Americana Muse

Looking very much like a 90s supermodel (and not simply because of the comparisons to Linda Evangelista), Arizona Muse and her adorable son Nikko feature in February's US Vogue in this spread lensed by, you guessed it, Peter Lindbergh. What gets me most about this editorial (and no, it isn't her brows or that captivating stare), is Tonne Goodman's styling. While many of the looks are from American designers such as Calvin Klein and Ralph Lauren, who were at the tops of their (and fashion's) game during the 90s, looks from an international cast that include Ferragamo and Hermés are represented in a way that is undeniably American. You can't help but cast your mind back to the American Dream, with its blue and white and red, its free-spirited wholesomeness so clearly captured in the Tommy by Tommy Hilfiger TV 'commercials' back in the day. Speaking of dreams, Muse, with her skyrocketing ascent towards the supermodel peak, is surely living one of her own. A favourite of Anna Wintour's, it won't be long before she stirs from her American dream, and when she does, it won't be for less than $10,000 a day. 

via: FGR

First Lady of Vogue

All this election-talk is doing my head in. And, no, I'm not talking about Anna Wintour, despite the title possibly being a fraction misleading. Actually, not really, if you consider the number of Vogue jobs this recruit has nabbed in the past few weeks. For it's our very own Miranda Kerr, cover girl of the September issue of Spanish Vogue, with her very first Vogue cover (as mentioned here.) Along with the cover, shot by Tom Munro, she features in a spread with a slight throwback to the models of the 90s; legs included.

She also featured in...wait for it; 3 editorials for US Vogue this month, 2 shot by Vogue's photographer of choice, Steven Meisel and the other by Peter Lindbergh. Sitting alongside other top models including Lara Stone, Doutzen Kroes, Alessandra Ambrosio and Adriana Lima, she isn't about to relinquish her number 15 spot on MDC's list anytime soon. Quite the contrary, actually. She is fast becoming a favourite of both Meisel (who previously shot her in Prada's fall campaign) and Vogue's EIC herself, so it's just a matter of time before she lands a cover. Still not convinced of her staying power? Look out for next month's issue of Vogue Italia- she'll be on the cover. 

via: TFS and FGR

I Die (for fashion)

Taking Rachel Zoe's expression "I Die" literally, US Harper's Bazaar have raised the bar with this clever little spread featuring the celebrity stylist for their latest issue. Zoe, snapped by Douglas Friedman, is captured alongside some of America's top designers, going in for the kill. Literally. So many metaphors and innuendos lurking under the surface of this shoot. It reminds me of the start of The September Issue where Anna Wintour sums up the misconceptions associated with the fashion industry and those who work within it brilliantly: "There is something about fashion that can make people very nervous." With that closing statement she levels a steely, unperturbed stare straight down the barrel of the camera, and we know. Interview over. 

Some may say Anna Wintour intimidates people, but I beg to differ. Fashion intimidates people. For some, The September Issue was nothing more than a sneak peek into the exclusivity and luxury that normally lies just beyond the realms of reality. However, as a documentary into the inner workings of the fashion industry, I think it was much, much more than just a 'glimpse'. If you watch it multiple times (ahem, guilty) what first appears to be a standoffish, haughty or higher-than-thou attitude is simply an uncanny ability to edit her thoughts with just the right amount of candour to convey what needs to be said, and nothing more. "Just because you like to put on a beautiful Carolina Herrera dress... or a pair of J Brand blue jeans instead of something basic from K-Mart... doesn't mean that you're a dumb person." 

Some people in this world think (and how wrongly so) that by caring about how you look and the way you dress, means that you care less about what is deemed to be of real importance, such as economics, or politics, or having a "real" career. So when people ask me what it is I love about fashion, what I can never seem to explain to them in the way I would like, in between my mutterings of Anna Wintour (who?) and their confused stares, is the intelligence of it all. The sheer wit and intellect that is required to conjure up such imagery and innuendo makes it one of the most challenging and (I'm willing to bet) rewarding industries to be involved in. The bravery and courage it takes to divert from the more traditional and socially acceptable career paths to pursue something you truly love is nothing short of inspirational. And I'm not just talking about fashion. Musicians, artists, sculptors, couturiers, writers, glass-blowers... for all those who have made a name for themselves under these titles, there are a million more busting their guts for nothing more than the love of the game. Determination to forge a way for oneself despite the throwbacks, despite the challenges and ridicule and years of giving it your all, is a world away from dumb. Working tirelessly to forge a way for yourself so that maybe one day, you can wake up and think 'I love my job' is possibly one of the smartest things I can think of. All this from a fashion editorial that reminded me of a documentary I once watched. It really is true what they say; a picture says a thousand words.  

via: TFS

Celebrities as models

The industry's obsession with celebrities continues to grow, with big name designers opting for stars to front their latest advertising campaigns rather than models. The actress-over-model preference isn't a new phenomenon; Anna Wintour was one of the first to harness the selling power of those dubbed 'celebrities,' by featuring actresses on the cover of Vogue after taking over the magazine in the mid-80s. The original idea behind this shift was to allow readers to identify with these faces in a way they couldn't do with mere models, something not unlike what is happening now in the new wave of editorials. Otherwise known as 'celebrity endorsements' a company will select a high-profile actor, singer or elite sportsperson to become the face of their brand, which works to generate publicity and in turn, sales. Unlike these endorsements, where the celebrity is acting as themselves and lending their names for publicity, these editorials feature celebrities AS models.

Last year Madonna featured in two campaigns for Louis Vuitton (hand-picked by designer and good friend Marc Jacobs), and this time she's back in front of the camera, but for Dolce & Gabbana.


Madonna for Louis Vuitton Spring/Summer 2009


Madonna for Louis Vuitton Fall/Winter 2009


She's back: Madonna eating spaghetti for the latest Dolce & Gabbana campaign


For the record, LV have chosen Dutch supermodel Lara Stone to replace Madge as the face of their Spring/Summer 2010 campaign. Good choice, I say.



Over at Chanel, Karl Lagerfeld's current muse, Lily Allen, features in the latest ad for the brand's newest line of handbags: the Chanel Coco Cocoon.

CFDA/ Vogue Fashion Fund

2009 winner of CFDA/Vogue Fashion Fund, Sophie Théallet, with Lanvin's Alber Elbaz

Anna Wintour and CFDA's Steven Kolb

Nicole Kidman in Lanvin with Alber Elbaz

Previous finalist Jason Wu, with Alexa Chung, wearing one of his designs

Supermodel Chanel Iman in Thakoon, with the designer, former finalist Thakoon Panichgul


Queen of Spades, I mean Vogue, Anna Wintour’s mentorship and assistance coupling with the Council of Fashion Designers of America, aptly named the CFDA/ Vogue Fashion Fund, held their annual Awards Dinner a few weeks ago, announcing this year’s winner. The aim of the fund, according to their website, is to “provide financial awards and business mentoring to emerging fashion designers.” It’s not the only fashion initiative supported by Wintour, who also hosted the inaugural Fashion’s Night Out in New York in September. This was the sixth time round for the Fund however, with Wintour acknowledging the importance of the City of New York to fashion: “New York is the place to come for young designers to show what they’re capable of.”

Our very own Nicole Kidman introduced the keynote speaker, “the visionary, incomparable Alber Elbaz” wearing Lanvin, of course. Up-and-coming French designer (who will be more up than coming after this nod) Sophie Théallet was this year’s winner, and was awarded US$200,000 to assist her in establishing her designs in New York. Théallet favours dresses; her aesthetic is simple, and with an amazing eye for detail, the French native designs clothes women want to wear (no wonder she is a Lanvin fan). “I try to make beautiful and functional clothes that a woman can work and travel in.” Previous winners of the fund have all gone on to become huge success stories: Jack McCollough and Lazaro Hernandez with their label Proenza Schouler, Doo-Ri Chung and her doo.ri and my favourite, the (almost child) prodigy that is Alexander Wang.

Showing us why she is reigning monarch of fashion, Queen Anna proves why anything and anyone with her kiss of approval is going to make it, and make it big. In the aptly named documentary of the making of the September 2007 issue of Vogue (the biggest in the magazine’s history,) we saw a glimpse of designer Thakoon Panichgul, who was named a finalist in 2006. Thakoon’s status skyrocketed last year when Michelle Obama wore one of his trademark printed dresses as her husband accepted his presidential nomination. Fellow finalist, Jason Wu, is also a favourite (as is Théallet) of the First Lady- Wu was responsible for that white Inauguration gown. Other now well-known finalists include the Mulleavy sisters, responsible for the amazing Rodarte, Phillip Lim, red carpet favourites Georgina Chapman and Keren Craig (Marchesa), and David Neville and Marcus Wainwright with their label Rag & Bone. Watch this space for things to come from Théallet - if she’s anything like her predecessors, her name won’t be anonymous for much longer.

photos: Style.com & Vogue