We're finally into the last, but by no means least, stage of fashion weeks for the summer 2010 collections; Paris. While the prêt-à-porter shows aren't what couture-loving Parisians look forward to most on their yearly fashion calender, they sure know how to make clothes women actually want to wear, that's for sure.
A prime example of a designer who is known for his often avant garde couture is Dior headhunter John Galliano, and his ready to wear collection was just that. Amongst all the overtly '80s inspired collections of late, it was refreshing to see inspiration from a new era emerge. Forties film stars reigned supreme; with shiny red pouts and bouncing waves offsetting feminine yet structured trenches amongst a collection of underwear-as-outwear; a trend single handedly put on the fashion map by Galliano.
A prime example of a designer who is known for his often avant garde couture is Dior headhunter John Galliano, and his ready to wear collection was just that. Amongst all the overtly '80s inspired collections of late, it was refreshing to see inspiration from a new era emerge. Forties film stars reigned supreme; with shiny red pouts and bouncing waves offsetting feminine yet structured trenches amongst a collection of underwear-as-outwear; a trend single handedly put on the fashion map by Galliano.
Christian Dior
Other highlights at Paris so far have been Balenciaga, the greatly-anticipated Balmain and designer-for-the-cool-kids Isabel Marant. Ghesquière's latest showing is an obvious departure from his drape-heavy fall collection, with not a soft layer in sight in this urban-cool collection for Balenciaga. This show was all about stepping out of the box- it even featured our very own Victoria's Secret angel Miranda Kerr, who was without her feathered safety wings in a street-inspired schoolgirl get up. Leather hoodies, skin tights pants and modern patchwork were combined in a genius way that will definitely prove hard for chain store labels to rip-off; a problem still continuing to plague the next designer.
Christophe Decarnin has really set the bar in terms of sexy deconstructionism; combining military jackets with sequins and barely-there hemlines in a way only Balmain could. While the follow-on from previous collections is obvious, space age has been replaced by a sparkling disco dancer emerging from the caves. The aesthetic is more closely related to Decarnin's own style than previous lines, with the leather jacket and skinny army pants combo he donned himself looking like a piece from the same collection. With the bold-shouldered trend resting upon his own, it's going to take an army (probably dressed in Balmain) to knock him off his well-deserved perch.
Christophe Decarnin has really set the bar in terms of sexy deconstructionism; combining military jackets with sequins and barely-there hemlines in a way only Balmain could. While the follow-on from previous collections is obvious, space age has been replaced by a sparkling disco dancer emerging from the caves. The aesthetic is more closely related to Decarnin's own style than previous lines, with the leather jacket and skinny army pants combo he donned himself looking like a piece from the same collection. With the bold-shouldered trend resting upon his own, it's going to take an army (probably dressed in Balmain) to knock him off his well-deserved perch.
Balmain
Newcomer to the high-fashion circuit Marant proved yet again why she's established herself amongst the cool crowd, with her relaxed boho style retaining that street edge from fall; her collection is extremely wearable. Not only is it wearable as a cohesive whole, one can see how those going for the model-off-duty look can add pieces into their existing wardrobes. With more colour than the greys of fall, one has to be leggy to pull off some of these pieces: loose minis with fringed boots, draped grey marle pants and skinny pinstripes. Still on the strong-shouldered bandwagon, it's obvious why the Marant fan club is recruiting members and a speedy rate.
Isabel Marant
Moroccan-born Israeli design genius Alber Elbaz took drapery and ruffles to a new, and unforgettable, level with his latest showing for French house Lanvin. No amount of journalistic genius can do this vision justice; the show was an array of gorgeously constructed garments where intricate design and textualisation were moulded together to create a visual delight for those who made the trek to a shed on the outskirts of Paris. This cult like following, revelling in the build up of beaded brilliance, is testament to the mind who lured them there. With the week just started, Paris is sure to be one we won't forget for a very long time, just as they intended, I'm sure.
Lanvin
photos: style.com
Yes, Decarnin is a genius and reigns supreme. And his girls are hot! Pugh's clothes weren't too bad but I loathed the zombie queen look he was going for in the hair and make up. It's called "spring/summmer" for a reason!
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